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Student of the famous Egyptian calligrapher Sayed Ibrahim. He also has marvelous artworks inside and outside UAE, most significant is the Mosque of the deceased Sheikh Zayed. Referring to his written design of Emirati currencies andaccording to his saying, Mendy’s artworks are inside all of our pockets. Muhammad Mendy is considered among the Arabic Calligraphy pioneers who had influenced the history of Arabic Calligraphy fonts in the State. He also designed many murals, including: “Dubai New Hospital, Court of the Ministry of Justice, and General Department of AD Police Inquiry Desk”, besides designing various cash notes and currencies. Mendy was elected to design the board writings of the State’s Protocol. Muhammad Mendy held his first solo art exhibition “my Beloved Dubai” in the Heritage and Diving Village within Dubai Shopping Festival 1999. He also contributed in many exhibitions in Dubai, Sharjah, Abu Dhabi, and Al Ain, in addition to international exhibitions in India, France, Italy, Jordan, Kuwait, and Qatar where his artwork was exhibited. And yet at the heart of it all is a lesson in the continued need for teams of people to work collaboratively to create, innovate and look towards our future.Artist Muhammad Mendy was born in Abu Dhabi.In 1977, he gained the Virtuosi diploma from the Arabic Calligraphy Fonts School in Cairo. “Our project architects and engineers have gone through a digital transformation of their own, along with this building.
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“At the outset, the project aspired to drive our industry towards a new digital approach to design and construction, and the project has delivered on that aspiration,” said Bauly. “That would have been the easy way out!”Ĭreated with the aim of making one of the “most advanced buildings in the world”, the studio says the museum exemplifies a new, digital design approach. “The original vision of the shape, along with its inherent complexity, was never comprised to enable something ‘similar’ or ‘easier’ to be built in its place,” he added. “The resulting digital optimisation fundamentally enabled feasible and efficient design solutions to be realised for primary aspects of the project such as the structural diagrid, the facade and its glazing,” he continued. Parametric design tools were developed for the project to solve specific design and buildability challenges,” said Bauly.
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These included a “growth algorithm” that was used to “digitally grow” the building’s internal steel structure. To create the desired form and unique cladding, while aiming for a sustainability rating of LEED Platinum, Killa Design and Buro Happold developed new parametric modeling tools.
ARABIC CALLIGRAPHER IN DUBAI WINDOWS
The exterior of the building is covered with windows that form a poem by Dubai’s ruler Sheikh Mohammed about his vision for the city’s future, written in Arabic calligraphy. “The torus shape of the building captures the perpetual energy of the city.” “The core concept of the building was to create a form that represents the client’s vision of the future – dynamic and innovative,” he told Dezeen. “The Museum of the Future aims to be a catalyst for pioneering concepts and ideas, inspiring those who see and visit the building to innovate, create and discover,” said Tobias Bauly, project director at Buro Happold. Located alongside Dubai’s elevated train line a short distance from the Burj Khalifa, the torus-shaped building forms a ring around a void that was designed to represent unknown knowledge.
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Photos reveal the Museum of the Future in Dubai, which was designed by architecture studio Killa Design and engineered by Buro Happold, with its exterior largely complete.Ĭreated for the Dubai Future Foundation, the Museum of the Future will contain exhibitions on innovative design and was designed to have a dynamic form that represents the Dubai government’s view of the future.